“Crazy Rich Asians”, has made a huge impact in the short time since its release, not only because it’s based on an international bestseller by an East-Asian author, Kevin Kwan, but because it features an almost entirely Asian cast, (with only five white guys even getting a speaking part). In a U.S.-originated movie, it’s a rare thing for East-Asians to take centre-stage.
With screenplay by Peter Chiarelli and Adele Lim, this is the story of quintessentially American Chinese Rachel Chu (Constance Wu), who embarks on a trip with her boyfriend Nick Young (Henry Golding) to visit his home, Singapore. It turns out to be the trip of a lifetime. Rachel discovers that her laid-back, low-profile boyfriend is a billionaire whose family built half of Singapore. Between head-on cultural clashes, and the brutal matrimonial realities within Asian family clans, Rachel is way out of her depth, and must sink or swim.
Posted in Blog and tagged Asia, book, china, Chinese, cinema, Crazy Rich Asians, culture, East Asian, film, review, romcom, Singapore
Zhong Qiu Jie, or Mid-Autumn Festival has come round again. I hope you have been enjoying my article and video on the origin and traditions of this wonderful Chinese harvest celebration, finding them useful for your festive preparations. This year, I’m writing about how the Moon Festival is celebrated in China today.
Posted in Blog and tagged Autumn, china, Chinese, culture, Equinox, festival, harvest festival, mid-autumn festival
With the release of Big Fish & Begonia, Xueting Christine Ni looks at China’s diverse pantheon that influenced the animation… As a public speaker who saw the oncoming wave of Chinese animation in the early 2000s, and who spent the last decade promoting these to West, it was my absolute joy to introduce Big Fish & Begonia this spring to the general public at various venues in London for the cinema release. Summer brings the home media release, set for the 9th of July, which coincides with the UK publication of my new book From Kuan Yin to Chairman Mao: An Essential Guide to Chinese Deities. Many of the beings I have written about are also featured in this 21st-century animation, and one of the reasons I have written the book is to demonstrate the contemporary relevance of these deities. In this article, I take a look at their origins and their reinterpretation in the film. China has a long tradition of taking inspiration from its Shen Hua (mythology) for the creation its Dong Hua (animation), from classics such as the 1964 Uproar in Heaven and Nezha Conquers the Dragon King (1979), to The Calabash Brothers (1986) and recent renditions of Investiture of the Gods. Certain deities, such as ones that have evolved with urban entertainment, tended to be focused on. Big Fish & Begonia takes a fresh angle on the subject. The story is set in the Undersea, the world of Chun, heroine of the story. Based on the concept Gui Xu from the 4th to 5thcentury BCE Daoist text Lie Zi, Undersea is the final Continue Reading →
Posted in Blog and tagged animation, Big Fish & Begonia, china, Chinese, culture, Daoism, deities, fantasy, pop culture
Tang Fei is a writer of speculative fiction born in Shanghai and currently living in Beijing.
In modern Chinese, “story” (故事) and “fiction” (小说) are not exact equivalents. A story is more rooted in the folk and oral traditions, and thus possesses more resilience and vitality. This is why I’ve always called myself a storyteller. Story, for me, is a word infused with magic. Every time I say it, I feel a joy in my spirit and pleasure in my senses.
Posted in Blog2
As one of the major directors in Chinese cinema, any new work of Tsui Hark’s is exciting news, let alone any work released outside China and Chinese-speaking regions. As relatively more Chinese films make their way to Western cinemas, some top-bill Wuxia titles are now sharing the summer slot with Hollywood Blockbusters. This summer sees the global release of “Detective Dee: The Four Heavenly Kings”, the third film in Judge Dee series (after “Mystery of the Phantom Flame” and “Rise of the Sea Dragon”), produced by renown and award-winning producer Nansun Shi (Infernal Affairs, Seven Swords, Chinese Ghost Story). Five years would have given this film considerable build-up, especially after the second one, which, despite the bold steps it took, was by far the weaker of the two.
Posted in Blog and tagged china, Chinese, cinema, culture, Detective Dee, film, pop culture, review, Tsui Hark, Wuxia
Around 2016, I began writing on a variety of Chinese culture subjects for journals, magazines and website.
Posted in Blog2
14 years ago, I asked myself, what do you do with a B.A. in English and an innate understanding of Chinese culture? Alongside my translation and public speaking, I began a career in #publishing, to the consternation of my family and social circle. Writing China came to me later, and this has put me in a better position to tell you about this now.
Posted in Blog and tagged Chinese, diveristy, POC, publishing
After the delays due to the World Cup, I am very happy to see “Incredibles 2” released at last. The major reason for my anticipation for seeing this film in the cinema, is the short preceding the main feature, “Bao”, the first Pixar production with a female director, and one of Chinese heritage, no less. Needless to say, my expectations were high, and this adorable work has met them.
Posted in Blog and tagged animation, china, Chinese, cinema, cuisine, culture, Disney, film, food, Pixar
In the recent past, China has been known to the West for its Great Wall and its Terracotta Warriors, a great ancient civilization that gifted the world with revolutionary inventions such as the compass, fireworks, and beautiful silks, that was subsequently torn apart in the early 20th century and closed off. Even when it re-emerged and became a global manufacturing powerhouse, by and large in the Western consciousness the country still remained a land enshrouded in legends and mystery, about which not much is known beyond the Cultural Revolution.
Now, in the 21st century, China is once more truly becoming the author of its own fate. A new technological golden age seems to be dawning, from innovations in AI and 3D printing, to developments in biomedicine and space exploration — both via private investment and state funding. With this new-found confidence, China has also begun to re-connect with its past and create a Chinese version of modernity that it didn’t have the chance to before. And it is doing so in in fascinating ways — sometimes this means reaching back thousands of years, to draw that connection.
In this article, I look at 13 (a lucky number to the Chinese) pieces of new technology that demonstrate in their conception and nomenclature how China is mapping out its gods and traditions in the cyberverse and the stars.
Posted in Blog and tagged AI, china, Chinese, culture, deities, exploration, Fintech, gods, mythology, science, space, technology
I have always been a geek, and around 2014, thanks to Con or Bust, I began attending conventions that catered for wider interests than anime. This led to some new beginnings.
Posted in Blog2