The Awesome Panda Power of Turning Red

There is something special about seeing yourself on the big screen, and if not yourself, then someone who you can see yourself as, or recognise yourself in. This is one reason why Pixar’s Turning Red has been such a big thing, coming out at a time when it looked as though the studio would sooner do another movie following Bugs’ Lives, than putting an East-Asian in the protagonists driving seat.

Now, I’ve never been a ‘Disney kid’, so I was still cautious as I sat down to watch the film, having been stung twice by the mouse’s Mulan. But… I was charmed, enthralled, and thoroughly entertained by the story, and of course, characters who looked like me.


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Shang-Chi and the Legend of the Ten Rings: A Reaction

As a culture writer, a Chinese person, and a comics nerd, I’ve had a deep interest in the character of Shang-Chi, and the way he has been used over the last half century. I’ve written about him in the build up to Marvel’s first Asian led movie, but now that I have seen the film, and had a chance to really digest it, I’ve got a lot to discuss.


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Taiping Hou Kui (Nothing But Tea)

As there was so much interest and enthusiasm surrounding the tea panel I appeared on at this year’s EasterCon21, I’m publishing a series of mini reviews on the spring teas I’m drinking this year, provided by the lovely NothingButTea.


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Shang-chi: Racist Stereotype or Legendary Kungfu Superhero?

I did some work on Shang-chi for a project last year, which didn’t materialise due to the pandemic. The filming of the MCU movie was delayed, also due to COVID_19. Now that it’s finally in the can, I’m celebrating its shaqing by reworking the contents of that unfortunate project into an article that looks at the pitfalls and potential of Marvel’s cultural representation of a character whose origins were so problematic, and yet whose development through the decades of comics has been so interesting.


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LGBTQ+ and Chinese Society

In the third article of my LGBTQ+ series, I put the subject into the context of traditional and modern Chinese society, and look at the challenges faced by China’s queer population, governmental approach as well as factors that are changing public perception. 


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China’s LGBTQ+: Landmark Cases

A few years ago I started a series on LGBTQ+ in China. Despite the cancellations and shut-downs, it was a hopeful time, the internet had brought the public closer to the concept of queerness, established groups organisations were supporting communities whilst improving public awareness. Campaigners were continuing to sue for change in educational materials and the few festival were braving the storms. A few years later, the clamp-down has tightened, especially in the media and on public events. All in all, the enthusiastic bubbling of activities seemed to have quieted down. This doesn’t mean that communities no longer exist, or groups are no longer at work. In fact, many legal battles have been fought in the last few years, some more successful than others, but they have all generated a lot of public debate and amply demonstrated the gaps in China’s legislature with regards LGBTQ+ rights.


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Disney’s Mulan: Past and Present

When Disney announced the live action Mulan film, there was huge excitement around the world for its release. However, the film has had its run of bad luck, first delayed due to controversy surrounding the lack of diversity in its casting decisions. Once that was rectified with a now stellar cast and an excellent lead that represents the story’s original culture, it became embroiled in political controversy and its highly anticipated release was then, cancelled as the pandemic broke out. On the 4th of September, the film will be finally released in cinemas in certain countries and on directly on Disney Plus in others. Despite the set backs and much dampened public energy around this film, I intend to give Mulan some major coverage. For she is an important cultural symbol not only in China but around the world, starting with some thoughts on the significance of the original animation and of this new live-action film to those in China.


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Ye Yonglie: An Obituary

On the 15thof May 2020, one of the forefathers of Chinese science fiction, Ye Yonglie, passed away.

Born in 1940 in Wenzhou (Zhejiang), Ye was a literary prodigy who published his first work at the age of 11, and his first book at the age of 19. After graduating in chemistry from Peking University, he continued his love of writing, and went on to create a wide range of short stories, journals and longer fictional works.


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Chunwan 2020

It’s Chinese New Year eve. We all know what that means. After the big meal, there would be four hours of non-stop song, dance and comedy. Like a baptism by fire to being truly Chinese, the Chunjie Wanhui (Chunwan for short), has to be done. For all Chinese like myself who’ve grown up with it, sat through it during childhood, rolled our eyeballs at it over adolescence (when our parents still managed to get it over satellite), as we get older, it’s become a ritual that, no matter where in the world you are, and how you’re celebrating, brings you right back.


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The Many Faces of a Chinese Woman in Publishing

Let me tell you a secret.

I lead a double life.

By day, I work at one of the UK’s largest publishing houses, producing illustrated novelty books, helping to develop them from concepts to finished products, negotiating with suppliers and collaborating with sales teams and creative professionals to ensure the books are to spec, within budget, manufactured correctly and delivered on time across the globe.

By night, I am China Woman, delivering talks, articles, books and translations to further the understanding of China, protect Chinese Culture from misrepresentation, fighting Sinophobia and stereotyping wherever I go.

Lately, I am finding that in order to rise up and respond to the challenges posed by the current politics of fear, my two roles are coming into contact and beginning to clash…


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