There is something special about seeing yourself on the big screen, and if not yourself, then someone who you can see yourself as, or recognise yourself in. This is one reason why Pixar’s Turning Red has been such a big thing, coming out at a time when it looked as though the studio would sooner do another movie following Bugs’ Lives, than putting an East-Asian in the protagonists driving seat.
Now, I’ve never been a ‘Disney kid’, so I was still cautious as I sat down to watch the film, having been stung twice by the mouse’s Mulan. But… I was charmed, enthralled, and thoroughly entertained by the story, and of course, characters who looked like me.
Posted in Commentary and tagged animation, china, Chinese, culture, deity, Disney, film, panda, Pixar, Turning Red
As a culture writer, a Chinese person, and a comics nerd, I’ve had a deep interest in the character of Shang-Chi, and the way he has been used over the last half century. I’ve written about him in the build up to Marvel’s first Asian led movie, but now that I have seen the film, and had a chance to really digest it, I’ve got a lot to discuss.
Posted in Commentary and tagged china, Chinese, cinema, comics, culture, film, Ghost Month, kungfu, Mandarin, Marvel, MCU, reaction, Shang-chi, Shang-Chi and the Legend of the Ten Rings, wushu, Wuxia
As there was so much interest and enthusiasm surrounding the tea panel I appeared on at this year’s EasterCon21, I’m publishing a series of mini reviews on the spring teas I’m drinking this year, provided by the lovely NothingButTea.
Posted in Commentary and tagged china, Chinese, culture, green tea, review, tasting Taiping Hou Kui, tea
I did some work on Shang-chi for a project last year, which didn’t materialise due to the pandemic. The filming of the MCU movie was delayed, also due to COVID_19. Now that it’s finally in the can, I’m celebrating its shaqing by reworking the contents of that unfortunate project into an article that looks at the pitfalls and potential of Marvel’s cultural representation of a character whose origins were so problematic, and yet whose development through the decades of comics has been so interesting.
Posted in Commentary and tagged china, Chinese, cinema, comics, cultural appropriation, culture, diversity, film, kungfu, Marvel, MCU, movie, racism, representation, Shang-chi
In the third article of my LGBTQ+ series, I put the subject into the context of traditional and modern Chinese society, and look at the challenges faced by China’s queer population, governmental approach as well as factors that are changing public perception.
Posted in Commentary and tagged china, Chinese, commentary, culture, diversity, LGBTQ, queer, society
A few years ago I started a series on LGBTQ+ in China. Despite the cancellations and shut-downs, it was a hopeful time, the internet had brought the public closer to the concept of queerness, established groups organisations were supporting communities whilst improving public awareness. Campaigners were continuing to sue for change in educational materials and the few festival were braving the storms. A few years later, the clamp-down has tightened, especially in the media and on public events. All in all, the enthusiastic bubbling of activities seemed to have quieted down. This doesn’t mean that communities no longer exist, or groups are no longer at work. In fact, many legal battles have been fought in the last few years, some more successful than others, but they have all generated a lot of public debate and amply demonstrated the gaps in China’s legislature with regards LGBTQ+ rights.
Posted in Commentary and tagged china, Chinese, culture, diversity, gender, law, legislation, LGBTQ, sexuality, society
On the 15thof May 2020, one of the forefathers of Chinese science fiction, Ye Yonglie, passed away.
Born in 1940 in Wenzhou (Zhejiang), Ye was a literary prodigy who published his first work at the age of 11, and his first book at the age of 19. After graduating in chemistry from Peking University, he continued his love of writing, and went on to create a wide range of short stories, journals and longer fictional works.
Posted in Commentary and tagged children's fiction, china, Chinese, culture, fiction, novel, orbituary, science fiction, SFF, Ye Yonglie
It’s Chinese New Year eve. We all know what that means. After the big meal, there would be four hours of non-stop song, dance and comedy. Like a baptism by fire to being truly Chinese, the Chunjie Wanhui (Chunwan for short), has to be done. For all Chinese like myself who’ve grown up with it, sat through it during childhood, rolled our eyeballs at it over adolescence (when our parents still managed to get it over satellite), as we get older, it’s become a ritual that, no matter where in the world you are, and how you’re celebrating, brings you right back.
Posted in Commentary and tagged 2020, china, Chinese, Chinese New Year, Chunwan, culture, gala, show, Spring Festival Gala, variety show