There is currently an explosion of creativity, growing out of China’s flourishing internet literature sites, which I have found myself happily getting lost in, as a researcher and a reader. Trying to stay within the lines of my professional interest, I found myself mainly looking into the multitude of nascent fantasy genres, but the segregation between this realm and my sources for science fiction, has not escaped me.
Posted in Commentary, Culture, Translation
I love speaking at conventions. This whole career as a sinologist started with talks to anime crowds about the films, foods, myth and music of China. In the midst of the buzz around my upcoming collection, Sinophagia, I was excited to be included on the panel of “Horror and Identity” as part of this year’s Flight of Foundry, especially with such a diverse collection of fellow guests to talk about the genre, and how our lived experiences and outlooks informed it.
Posted in Culture, Translation and tagged china, Chinese, fiction, genre, horror, identity, literature, SFF, translation
A couple of years ago, I wrote an article highlighting some of China’s female science fiction writers . It is a well-known fact that women in the SF community have been heavily overlooked in China, where a hard-science-heavy tradition took root in the genre’s first ‘golden age’ of the 1950s, which in itself was a continuation of a nation-building role for sci-fi that could be traced all the way back to the beginning of the century. Although women have been active contributors to the genre since at least the 1970s, with writers such as Zhang Jing and Ji Wei, their inclination, or perceived inclination to write ‘soft science fiction’, meant they have not been as visible as male writers in previous eras. In the twenty-first century however, kēhuàn (Hanyu for sci-fi) has diversified as a genre, branching off into more character driven fiction, which integrates science with story, shifting away from works that centrally focused on science theory or concepts.
Posted in Commentary, Culture, Translation and tagged china, Chinese, culture, equality, feminism, fiction, literature, science fiction, SF, SFF, women's writing
We’re utterly delighted that Sinopticon: A Celebration of Chinese Science Fiction, translated and edited by Xueting Christine Ni, is out now! This incredible anthology features thirteen stories from award-winners, bestsellers, screenwriters and philosophers, all translated for the first time into English, representing an exploration of the nation’s speculative fiction from the late 20th century onwards, curated and translated by critically acclaimed writer and essayist Xueting Christine Ni. A stunning collection of the best in Chinese Science Fiction, from Award-Winning legends to up-and-coming talent, all translated here into English for the first time.
Posted in Blog2, Translation
I’m honoured to be part of SFRA Review’s 51 special issue on Chinese science fiction, in which it published its first piece of fiction 1761, a slow-burn queer cyberpunk romance by Tang Fei, and translated by myself.
Posted in Blog2, Translation
Over the pandemic and lockdown measures, online orders, couriers and delivery drivers have been a lifeline around the world for life to have a semblance of normality, nowhere is this more so than in China, where quarantine procedures have been one of the strictest. One of the articles that went viral this autumn is a People (renwu) magazine coverage of the condition of takeaway delivery driver and the extraordinary pressures they’ve having to face. This article is, of course, written in Chinese, but it’s a piece that the world needs to read. So I present a quick translation in instalments. It’s the end of the year now, but as the virus rages on, we’re still having to rely on these unsung heroes. So I hope that after reading this article in translation, you’ll think about these people over Christmas, while enjoying the festive treats that have been delivered to your door, and opening gifts that were bought at the click of a button, and perhaps hold back from sending that complaint on the app, the next time your goods are a day or two late. Thank you to Radii for their coverage.
Posted in Translation and tagged algorithm, china, Chinese, culture, delivery, society, sociology, takeaway, translation
Tang Fei is a writer of speculative fiction born in Shanghai and currently living in Beijing.
In modern Chinese, “story” (故事) and “fiction” (小说) are not exact equivalents. A story is more rooted in the folk and oral traditions, and thus possesses more resilience and vitality. This is why I’ve always called myself a storyteller. Story, for me, is a word infused with magic. Every time I say it, I feel a joy in my spirit and pleasure in my senses.
Posted in Translation
My first published translation of Chinese fiction.
Posted in Translation
written by Tang Fei, translated by Xueting Christine Ni
“Imagining the worst tomorrow makes me happy.
The gloom of the future lights my path.”
Posted in Translation and tagged china, Chinese, horror, literature, science fiction, translation
I am delighted to have the opportunity to work with Chinatown Arts Space and Asia House, to interpret for renown Singaporean artist and winner of the SUSTAIN award, Chua Boon Kee in his sculptor master class, which took place earlier this week, during the auspicious time of Mid-Autumn Festival. His commissioned sculpture, FLOW, has been installed on the corner of Gerrard Place and Shaftsbury Avenue, and was unveiled this afternoon.
Posted in Translation and tagged art, Asia House, CAS, china, Chinatown, Chinese, culture, london, master class, sculpture, Singapore, SUSTAIN