Ghost Girl, Gwei Mui 鬼妹
There are many plays about being Chinese in Britain. Yet there was something about “Ghost Girl, Gwei Mui 鬼妹” that struck a chord with me, once a Cantonese girl transplanted from Guangzhou to London half way through her upbringing. Perhaps it was the title, the idea of being a living ghost – the invisible minority, or the daring reverse use of Gwei Mui, the Cantonese insult for foreigners, that prompted me to accept the offer to review this play.
Posted in Commentary and tagged adoptee, Britain, British Chinese, china, Chinese, Chinese Arts Now, culture, immigration, Jennifer Tang, minority, racism, review, theatre