After exploring the ancient beginnings of the Chinese comics tradition, I take a look at manhua in the early 20th century.
Posted in Culture and tagged art, china, Chinese, comics, culture, history, manhua, satire
As a culture writer, a Chinese person, and a comics nerd, I’ve had a deep interest in the character of Shang-Chi, and the way he has been used over the last half century. I’ve written about him in the build up to Marvel’s first Asian led movie, but now that I have seen the film, and had a chance to really digest it, I’ve got a lot to discuss.
Posted in Commentary and tagged china, Chinese, cinema, comics, culture, film, Ghost Month, kungfu, Mandarin, Marvel, MCU, reaction, Shang-chi, Shang-Chi and the Legend of the Ten Rings, wushu, Wuxia
I did some work on Shang-chi for a project last year, which didn’t materialise due to the pandemic. The filming of the MCU movie was delayed, also due to COVID_19. Now that it’s finally in the can, I’m celebrating its shaqing by reworking the contents of that unfortunate project into an article that looks at the pitfalls and potential of Marvel’s cultural representation of a character whose origins were so problematic, and yet whose development through the decades of comics has been so interesting.
Posted in Commentary and tagged china, Chinese, cinema, comics, cultural appropriation, culture, diversity, film, kungfu, Marvel, MCU, movie, racism, representation, Shang-chi
Recently numerous friends on social media have pointed out to me the shockingly underinformed or dubious ways in which the Chinese arts have been represented in the Western media. I have been impressed by your astuteness and I thank you for your kindness.
Posted in Commentary and tagged animation, arts, china, Chinese culture, comics, commentary, film, literature, novel, representation, science fiction
A dramatization based on Marvel’s Iron Fist took a long time coming. The comics themselves which began in the 1970s only came into being with the craze for kungfu films in the US at the time, and even with its blatant cultural appropriation and lumping together of all non-white cultures, it was a beacon as a Western comic with a semblance of diversity. The Fraction/Brubaker series in the 90s paid its dues to diversity, nodding to a long line of warriors from different backgrounds, who held the title of Iron Fist, though still representing in quite stereotypical terms the nation the culture of which it owed so much of its world building.
In the 21st century, with the popularity of superheroes TV series, and the success of the “Daredevil” and “Luke Cage”, many have been anticipating one on the warrior of K’un-Lun, and there has been calling from fans and celebrities alike for an Asian casting of its protagonist Danny Rand. The series had been delayed, due to creative debate on the on-screen depiction of the hero’s fiery powers. At last, it was released on Netflix on the 17th of March, and I watched through it all in one go to bring you a continuous commentary on social media. Owing to the positive response I’ve received, here’s a write up of the various themes and points of interest that have come to light.
Posted in Commentary and tagged china, Chinese, comics, commentary, culture, diversity, Iron Fist, Marvel, Netflix, review, TV
When Netflix announced the collection of Marvel heroes it would be bringing the small screen, I was overjoyed to see Iron Fist amongst them, but with Daredevil now in its second series, and Luke Cage’s stand-alone show being slated as the next in the pipeline, I’m beginning to wonder what sort of a show we’ll end up with.
Posted in Commentary and tagged china, Chinese, comics, culture, Iron Fist, Marvel
The roots of comics and cartoons have been in satire throughout the world, and China was no different. 漫画, Manhua, existed as early as the Eastern Han era, where a stone carving had been found in Shandong (author unknown), caricaturing the despotic Xia Jie. During the Five Dynasties period (10th century), the artist Shi Ke’s paintings satirized cruel aristocracy who exploited the poor, in works such as the “Bai Gui Xi Tu” (Frolicking of a Hundred Demons).
Posted in Culture and tagged china, Chinese, comics, culture, history, manhua
I was delighted when Dark Horse got in touch with me about the upcoming title “Mulan: Revelations”. Unfortunately, as this was back in the middle of convention season, I couldn’t write about it immediatey, and it was only when I saw the title on the shelves at my local comic store, that I received the kick to actually get the review up.
Posted in Commentary and tagged china, Chinese, comics, culture, Cyberpunk, Dark Horse, Hua Mulan, Mulan, Mulan Revelations, review, Shanghai
Whilst one of the remits of this site, and my goal is to translate and promote first time or struggling Chinese writers and artist, I was so impressed by Gene Luen Yang ‘s “The Shadow Hero”, that I couldn’t help writing a short review.
Posted in Culture and tagged china, Chinese, comics, culture, Gene Luen Yang, Golden Age, Lian Huan Hua, Sonny Liew, the Green Turtle, The Shadow Hero
2013 saw Stan Lee in China for the creation of his Annihilator, the Marvel Chinese super hero movie currently in production and scheduled for release next year. This year we’ve seen a very cool new Chinese mutant, Blink, introduced in X-Men: Days of Future Past. I thought this would be a good time to take a look at some existing Chinese super heroes and villains in the Marvel universe.
Posted in Culture and tagged china, Chinese, comics, culture, Marvel