Contemporary Chinese Cinema Lecture, QMUL, 5th December 2017

Like its turbulent history, Chinese cinema has undergone many upheavals throughout the twentieth century, from an art form that was virtually non-existent at the beginning of the century, to a tradition that developed its own aesthetic, studio systems and language. It was employed by the state to further war efforts and revolution, after which it became a medium of response and rebellion. Privatization of the industry towards the end of the century eventually led to a new interdependence between the state and filmmakers that propelled Chinese cinema into the twenty-first century, with an explosion of genres, production and distribution methods.

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