Half the Universe: More On Chinese Women SF Writers

A couple of years ago, I wrote an article highlighting some of China’s female science fiction writers . It is a well-known fact that women in the SF community have been heavily overlooked in China, where a hard-science-heavy tradition took root in the genre’s first ‘golden age’ of the 1950s, which in itself was a continuation of a nation-building role for sci-fi that could be traced all the way back to the beginning of the century. Although women have been active contributors to the genre since at least the 1970s, with writers such as Zhang Jing and Ji Wei, their inclination, or perceived inclination to write ‘soft science fiction’, meant they have not been as visible as male writers in previous eras. In the twenty-first century however, kēhuàn (Hanyu for sci-fi) has diversified as a genre, branching off into more character driven fiction, which integrates science with story, shifting away from works that centrally focused on science theory or concepts.


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Half the Galaxy: Female Writers of Chinese Science Fiction

Through a year of quarantines and lockdowns throughout the world, many women are finding that hard won progress in their emancipation has somewhat diminished. Their roles regressed to the main caregiver, or manager of the house, regardless of their other responsibilities. On this year’s International Women’s Day, it’s important to remember the capabilities and achievements women have pushed forward with, both in spite of gender stereotypes and male bias, and in light of freedoms won. I have recently researched China’s net novelists, and was amazed at the creative output of women who were writing whilst also holding down full time jobs, and labouring under the yoke of domestic responsibility. Science fiction is another realm still primarily considered to be the domain of men, where women’s contribution is often overlooked, especially in China.


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