Chinese Science Fiction: Net v.s Core

There is currently an explosion of creativity, growing out of China’s flourishing internet literature sites, which I have found myself happily getting lost in, as a researcher and a reader. Trying to stay within the lines of my professional interest, I found myself mainly looking into the multitude of nascent fantasy genres, but the segregation between this realm and my  sources for science fiction, has not escaped me.


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The Pandemic and SFF: Thoughts on the Eastercon21 Panel

Despite Covid restrictions, I returned this year to convention life, at least virtually, as a guest at EasterCon, and in an event driven to digital by a global pandemic, it couldn’t have been more appropriate to talk about how all this has affected science fiction and fantasy works. The hour-long panel featured myself, along with the editor and authors of New Con Press. There was a lot to talk about in the one-hour slot, and with so many of us having lived near hermit like existences for the last few months, personal take-aways from lockdown becoming a central topic for some of the more loquacious guests, and there were so many points that were left unexplored.


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Half the Universe: Female Writers of Chinese Science Fiction

Through a year of quarantines and lockdowns throughout the world, many women are finding that hard won progress in their emancipation has somewhat diminished. Their roles regressed to the main caregiver, or manager of the house, regardless of their other responsibilities. On this year’s International Women’s Day, it’s important to remember the capabilities and achievements women have pushed forward with, both in spite of gender stereotypes and male bias, and in light of freedoms won. I have recently researched China’s net novelists, and was amazed at the creative output of women who were writing whilst also holding down full time jobs, and labouring under the yoke of domestic responsibility. Science fiction is another realm still primarily considered to be the domain of men, where women’s contribution is often overlooked, especially in China.


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Ye Yonglie: An Obituary

On the 15thof May 2020, one of the forefathers of Chinese science fiction, Ye Yonglie, passed away.

Born in 1940 in Wenzhou (Zhejiang), Ye was a literary prodigy who published his first work at the age of 11, and his first book at the age of 19. After graduating in chemistry from Peking University, he continued his love of writing, and went on to create a wide range of short stories, journals and longer fictional works.


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A Quick Guide to Wangluo Xiaoshuo

This week was World Book and Copyright Day. I wanted to write a little about Chinese internet novels. A phenomenon that came into being in the early 2000s, as the world entered the Age of Internet, the wangluo xiaoshuo had a particularly deep impact on Chinese literary creativity, due the relatively scarcity of commercial fiction published in China before this time. As its arts become more and more available to the world, it’s also become apparent that doesn’t necessarily mean more accessible For many genres have developed in China that don’t exist in the West, or are different from our understandings of them. Here’s a quick guide to the main genres of wangluo xiaoshuo.


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Gold Boy, Emerald Girl: A Cross Section of 21st Century China

Golden Boy, Emerald Girl is the second collection of stories from acclaimed author Yiyun Li. Each separate story has previously been printed in different American and British newspapers. It makes perfect sense for the nine stories, all slices to urban oddities in modern China, to be collected in a single volume. With subject matters such as internet, social media, divorce, child adoption, child abduction and homosexuality, there is no mistaking their 21st century backdrop.


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