“Crazy Rich Asians”, has made a huge impact in the short time since its release, not only because it’s based on an international bestseller by an East-Asian author, Kevin Kwan, but because it features an almost entirely Asian cast, (with only five white guys even getting a speaking part). In a U.S.-originated movie, it’s a rare thing for East-Asians to take centre-stage.
With screenplay by Peter Chiarelli and Adele Lim, this is the story of quintessentially American Chinese Rachel Chu (Constance Wu), who embarks on a trip with her boyfriend Nick Young (Henry Golding) to visit his home, Singapore. It turns out to be the trip of a lifetime. Rachel discovers that her laid-back, low-profile boyfriend is a billionaire whose family built half of Singapore. Between head-on cultural clashes, and the brutal matrimonial realities within Asian family clans, Rachel is way out of her depth, and must sink or swim.
Posted in Blog and tagged Asia, book, china, Chinese, cinema, Crazy Rich Asians, culture, East Asian, film, review, romcom, Singapore by Xueting Ni
As one of the major directors in Chinese cinema, any new work of Tsui Hark’s is exciting news, let alone any work released outside China and Chinese-speaking regions. As relatively more Chinese films make their way to Western cinemas, some top-bill Wuxia titles are now sharing the summer slot with Hollywood Blockbusters. This summer sees the global release of “Detective Dee: The Four Heavenly Kings”, the third film in Judge Dee series (after “Mystery of the Phantom Flame” and “Rise of the Sea Dragon”), produced by renown and award-winning producer Nansun Shi (Infernal Affairs, Seven Swords, Chinese Ghost Story). Five years would have given this film considerable build-up, especially after the second one, which, despite the bold steps it took, was by far the weaker of the two.
Posted in Blog and tagged china, Chinese, cinema, culture, Detective Dee, film, pop culture, review, Tsui Hark, Wuxia by Xueting Ni
After the delays due to the World Cup, I am very happy to see “Incredibles 2” released at last. The major reason for my anticipation for seeing this film in the cinema, is the short preceding the main feature, “Bao”, the first Pixar production with a female director, and one of Chinese heritage, no less. Needless to say, my expectations were high, and this adorable work has met them.
Posted in Blog and tagged animation, china, Chinese, cinema, cuisine, culture, Disney, film, food, Pixar by Xueting Ni
It all began in 1922. Between 1922 and 45 was a period when China discovered and explored animation for itself. The main force behind early Chinese animation were three classically trained art students from Shanghai, the Wan brothers, who taught themselves the techniques of animation from studying 20s American cartoons such as Out of the Ink Well, Popeye and Betty Boop. The very first Dong Hua movie, “Uproar In the Studio”, was born in 1926 in a 7 square metre room in Zha Bei district of Shanghai.
Posted in Blog and tagged animation, china, Chinese, cinema, culture, film, history, pop culture by Xueting Ni
When I first heard about this Chinese animation, it was in the context of bankable dissent, so I was pre-disposed to dismissing this work, but when I actually had a chance to see some of the footage, I was thoroughly impressed, and subsequently, very happy to hear it was being screened at the Genesis.
Posted in Blog and tagged animation, china, Chinese, culture, Dong Hua, film, indie, pop culture, synth pop by Xueting Ni
Today is International Women’s Day, or more precisely International Working Women’s Day or The United Nations Women’s Rights and International Peace Day. In China, this has been major celebration of women in all fields since 1924, when the working women of Guangzhou, influenced by the international movement, started one in China, where women united and stood up for their rights across the National and Communist divide. Feminism, however has been problematic in China, after the fall of the thousand-year-old imperial patriarchy, it has taken up as the mantra of male-dominated for most of the twentieth centuries. This year, I’m going to discuss women in the driving seat in cinema, a vital medium because it’s one of the faces of China that within everyone is familiar, to a lesser or greater extent, and a very influential art form that is flourishing and evolving rapidly within China.
Posted in Blog and tagged china, Chinese, cinema, culture, feminism, film, International Women's Day, women's rights by Xueting Ni
Recently numerous friends on social media have pointed out to me the shockingly underinformed or dubious ways in which the Chinese arts have been represented in the Western media. I have been impressed by your astuteness and I thank you for your kindness.
Posted in Blog and tagged animation, arts, china, Chinese culture, comics, commentary, film, literature, novel, representation, science fiction by Xueting Ni
Like its turbulent history, Chinese cinema has undergone many upheavals throughout the twentieth century, from an art form that was virtually non-existent at the beginning of the century, to a tradition that developed its own aesthetic, studio systems and language. It was employed by the state to further war efforts and revolution, after which it became a medium of response and rebellion. Privatization of the industry towards the end of the century eventually led to a new interdependence between the state and filmmakers that propelled Chinese cinema into the twenty-first century, with an explosion of genres, production and distribution methods.
Posted in Blog and tagged china, Chinese, contemporary cinema, culture, film, lecture, QMUL by Xueting Ni
Our penultimate post is about popular Chinese fiction of the ghostly, grave-robbing kind. We are thrilled to post this piece by writer and translator Xueting Christine Ni, who is currently working with the fantasy and science fiction author Tang Fei, and writing a book on Chinese deities. Having studied English literature in London, and Chinese literature in Beijing, she is now based mainly in the UK.
As a writer on Chinese culture, specialising in pop culture, I’m often asked about genre fiction. “Do the Chinese do science fiction?” or “Does China have Horror?” Over the last two decades or so, Chinese pop culture has grown exponentially. Economic growth and relative political stability have allowed writers and artists the space to let their imagination run free and to create in readers a taste for such entertainment and variety.
Posted in Blog and tagged books, china, Chinese, comic, culture, film, ghost story, horror, literature, novel, tomb raiding, translation by Xueting Ni
We are comingto the end of the Chinese Year of the Monkey, a year that was celebrated in the cinema with the release of “Monkey King 2″, the follow up to the 2014 Donnie Yen film. The Monkey, Sun Wukong, with his origins in the classic text “Journey to the West”, has now become an international symbol of Chinese culture, as important to China’s overseas image as Confucius, Mao Ze Dong, and Bruce Lee.
Posted in Blog and tagged china, Chinese culture, film, Journey to the West, london, Monkey, movie night, QMUL by Xueting Ni