There’s something a little odd about using family terms to refer to romantic relationships, but with the current popularity of Tencent’s hit show Nothing But You, about a young tennis player developing feelings for his older female manager, everyone seems to be talking about 姐弟恋, jiedi lian (Older Sister/Younger Brother Romance). Even the regular handful of Anglophone China watchers are now talking about the phenomenon of older women dating younger men, and the ‘normalisation’ of it in Chinese media. Whilst the sub-genre has proliferated over the last few years (some of the most popular include Mango TV’s A Rational life and IQiyi’s Dr Appledog’s Time, both released in 2021), shows about career-oriented women dating younger men have in fact, been a thing in contemporary Chinese storytelling since at least the middle of the last decade.
Posted in Commentary and tagged china, Chinese, feminism, gender, marriage, relationship, romance, SFF, society, sub-genre
In the first part of my Mulan article, I discussed what the Disney animation meant for the Chinese in China, as well as for global audiences; looked at the initial trailer of the new live action film and talked about what I hope to see in it. To understand Mulan’s significance as a cultural icon fully, we need to go to her origins and see how she evolved. I will focusing on two relatively recent film adaptations that have made the greatest impact around the world (China included), so we could see where Mulan is culturally, particularly in terms of her representation in cinema, just before a new major work comes out.
Posted in Culture and tagged ballet, books, china, Chinese, cinema, cross-dressing, culture, feminism, film, gender, gender politics, Hua Mulan, literature, Mulan, musical, opera, theatre, TV
The Chinese Visual Festival is a mixed bag, documentaries, art films, first time projects and a few gems. It’s difficult for me to cover the whole festival, but I try and cover a couple of screenings each year. This year’s LGBT programme was most inviting, and having missed last year’s, it was one I was determined to attend.
Posted in Commentary and tagged avant garde, Beijing, bisexuality, china, Chinese, Chinese Visual Festival, cosplay, culture, documentary, Fan Popo, feminism, film, gender, Guangzhou, homosexuality, LGBT, queer, Shanghai, Sun Yat-Sen University, transgender, VaChina Monologues, Vagina Monologues