Daughter, Warrior, Woman: The Evolution of Hua Mulan

In the first part of my Mulan article, I discussed what the Disney animation meant for the Chinese in China, as well as for global audiences; looked at the initial trailer of the new live action film and talked about what I hope to see in it. To understand Mulan’s significance as a cultural icon fully, we need to go to her origins and see how she evolved. I will focusing on two relatively recent film adaptations that have made the greatest impact around the world (China included), so we could see where Mulan is culturally, particularly in terms of her representation in cinema, just before a new major work comes out. 


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China’s LGBTQ+: Landmark Cases

A few years ago I started a series on LGBTQ+ in China. Despite the cancellations and shut-downs, it was a hopeful time, the internet had brought the public closer to the concept of queerness, established groups organisations were supporting communities whilst improving public awareness. Campaigners were continuing to sue for change in educational materials and the few festival were braving the storms. A few years later, the clamp-down has tightened, especially in the media and on public events. All in all, the enthusiastic bubbling of activities seemed to have quieted down. This doesn’t mean that communities no longer exist, or groups are no longer at work. In fact, many legal battles have been fought in the last few years, some more successful than others, but they have all generated a lot of public debate and amply demonstrated the gaps in China’s legislature with regards LGBTQ+ rights.


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Queer China

The Chinese Visual Festival is a mixed bag, documentaries, art films, first time projects and a few gems. It’s difficult for me to cover the whole festival, but I try and cover a couple of screenings each year. This year’s LGBT programme was most inviting, and having missed last year’s, it was one I was determined to attend.


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