On Chinese Horror: Part I

This year’s Zhong Yuan or Ghost Month, took place in August, and Xia Yuan is not until December. Nevertheless, with the crisp scent and keenness of the autumn air, I feel the delicious anticipation for the Western festival of All Hallow’s Eve. Today I’m going to tell you a little about Chinese horror and Chinese attitude to ghosts, and throughout the month I’ll be writing about the Chinese horror genre in various art forms.


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Special ID

“Undercover cops walking a line between triad loyalty and law and order” is practically the bread and butter of the Hong Kong film industry, from classics like City On Fire, to its imitation in games like Sleeping Dogs.

Here, it is Chan Chi-Lung, played by Donnie Yen, who penetrates the echelons of Hong Kong’s gangster world, after severe reprimanding, as a last ditch attempt at returning to the force . His partner and boss, Captain Cheung (Ronald Cheung) promises to give Chan his “big break”, only after he has helped in solving one last case that would allow Cheung to retire in glory.


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Fairytale Killer: A Twisted Tale of Heroism and Redemption

Fairytale Killer, released in Asia in May last year, is the work of influential Hong Kong director Danny Pang (Bangkok Dangerous, The Eye), in collaboration with the excellent Thai director, Decha Srimantra (Ong Bak, Chocolate). It stars Sean Lau (Mad Detective, A Life Without Principle), Wang Bao Qiang (Blind Shaft) and star of Pang’s The Child’s Eye, Elanne Kwong.


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