On Chinese Horror: Part I

This year’s Zhong Yuan or Ghost Month, took place in August, and Xia Yuan is not until December. Nevertheless, with the crisp scent and keenness of the autumn air, I feel the delicious anticipation for the Western festival of All Hallow’s Eve. Today I’m going to tell you a little about Chinese horror and Chinese attitude to ghosts, and throughout the month I’ll be writing about the Chinese horror genre in various art forms.


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The Corpse Flower – A GBTL Sample

Chunk and Hu, ex-military and diehard, are accompanying an archaeological expedition near the Kunlun Mountains to discover the lost ancient city of Jingjue. With their aid, Professor Chen, his students, and their overseas sponsor, Shirley Yang, have managed to make her way into the secret city of the Taklamakan. In the final resting chamber of the Queen, they have found her coffin. A magnificently carved Kunlun Wood casket, but growing from the lid, is a large, scarlet, sickly smelling blossom.


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Fairytale Killer: A Twisted Tale of Heroism and Redemption

Fairytale Killer, released in Asia in May last year, is the work of influential Hong Kong director Danny Pang (Bangkok Dangerous, The Eye), in collaboration with the excellent Thai director, Decha Srimantra (Ong Bak, Chocolate). It stars Sean Lau (Mad Detective, A Life Without Principle), Wang Bao Qiang (Blind Shaft) and star of Pang’s The Child’s Eye, Elanne Kwong.


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