In the first part of my Mulan article, I discussed what the Disney animation meant for the Chinese in China, as well as for global audiences; looked at the initial trailer of the new live action film and talked about what I hope to see in it. To understand Mulan’s significance as a cultural icon fully, we need to go to her origins and see how she evolved. I will focusing on two relatively recent film adaptations that have made the greatest impact around the world (China included), so we could see where Mulan is culturally, particularly in terms of her representation in cinema, just before a new major work comes out.
Posted in Culture and tagged ballet, books, china, Chinese, cinema, cross-dressing, culture, feminism, film, gender, gender politics, Hua Mulan, literature, Mulan, musical, opera, theatre, TV
I was delighted when Dark Horse got in touch with me about the upcoming title “Mulan: Revelations”. Unfortunately, as this was back in the middle of convention season, I couldn’t write about it immediatey, and it was only when I saw the title on the shelves at my local comic store, that I received the kick to actually get the review up.
Posted in Commentary and tagged china, Chinese, comics, culture, Cyberpunk, Dark Horse, Hua Mulan, Mulan, Mulan Revelations, review, Shanghai