This screening is part of the April Anime season. Anime is faux-French term predominantly used to refer to Japanese animation. Chinese animation is called Dong Hua.
That animation you’ve just seen, “Where is Mama” is a product of the first golden age of Chinese animation. The director, Te Wei,broke a lot of the established rules of the time, and instead of just imitating western animators like Disney, he attempted to create a very eastern style.
Posted in Blog2 and tagged after life, animation, Big Fish and Begonia, china, Chinese, culture, Dong Hua, film, indie, mythology, tradition, Zhuang zi
When I first heard about this Chinese animation, it was in the context of bankable dissent, so I was pre-disposed to dismissing this work, but when I actually had a chance to see some of the footage, I was thoroughly impressed, and subsequently, very happy to hear it was being screened at the Genesis.
Posted in Culture and tagged animation, china, Chinese, culture, Dong Hua, film, indie, pop culture, synth pop
This year’s Chinese Visual Festival is collaborating with the Chinese Independent Film Festival to bring to the UK their 10th anniversary animation selection, and I went to see it at King’s College in the middle of May.
Posted in Commentary and tagged animation, china, CIFF, cinema, culture, CVF, festival, film, history of animation, indie, King's College, london
残废科幻 (“Can Fei Ke Huan”), quite crudely translated as “Deformity Sci-Fi”, is a peculiar, heady mix, shot in Shanxi, the hometown of up and coming Chinese indie director Jianqiang Xue (a.k.a. Kokoka). It follows the lives and misdemeanors of a gang of lowly thugs as they go about their daily business, arguing, fighting, drinking, collecting money and committing crimes against the backdrop of an imminent alien visitation.
Posted in Commentary and tagged china, Chinese, cinema, culture, CVF, Deformity Sci-Fi, festival, film, indie, movie, Sci-Fi, Shanxi