The March of China’s Female Filmmakers

Today is International Women’s Day, or more precisely International Working Women’s Day or The United Nations Women’s Rights and International Peace Day. In China, this has been major celebration of women in all fields since 1924, when the working women of Guangzhou, influenced by the international movement, started one in China, where women united and stood up for their rights across the National and Communist divide. Feminism, however has been problematic in China, after the fall of the thousand-year-old imperial patriarchy, it has taken up as the mantra of male-dominated for most of the twentieth centuries. This year, I’m going to discuss women in the driving seat in cinema, a vital medium because it’s one of the faces of China that within everyone is familiar, to a lesser or greater extent, and a very influential art form that is flourishing and evolving rapidly within China.


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The Magnificent 7: Warrior Women of China

This weekend is International Women’s Day (8th of March). In China, it is celebrated with speeches on TV, stage shows and gifts for women from their junior loved ones. I remember presenting my mother and aunties with flowers and pictures I drew as a child. A Polish colleague once told me that in Polish tradition, females of all ages are eulogised on International Women’s Day. So both her and her daughter of five years of age, would get flowers on this day. Over here though, it is celebrated by white middle-aged men asking “when is it International Men’s Day?” all over Facebook and Twitter. So I’ve written about some strong female warriors throughout Chinese history, to remind everyone to think about how recent women’s emancipation still is, even in Britain, the land of the Suffragettes; and to also tell you that even if a civilization as patriarchal as China, there are strong female role models to be found, throughout history.


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