So “Aquaman”, directed by James Wan, Australian director of Malaysian Chinese descent, with Chinese actor Ludi Lin (Power Rangers) as Murk, has been doing well in box offices in China. Some might be puzzled as to why the Chinese would be drawn to a story that seems so immersed in the world of Greek mythology. Although very much unique in their own right, the world’s mythologies do share certain commonalities, and there are many elements in this film that would make it popular with a Chinese audience.
Posted in Commentary and tagged Aquaman, Atalanta, china, Chinese, culture, dragon king, film, Monkey King, mythology, ocean
In the 7th century, the monk Xuanzang traveled from the capital of China to the middle of India. He journeyed through hundreds of states and countries, over 17 years and brought back 657 sutras. He recounted his experiences to the imperial court, and these were transcribed as Records of Western Regions Visited During the Great Tang. Xuanzang’s disciples / then wrote his biography, embellishing it with encounters and examples of Buddhist teaching. In the same way that any story told often enough begins to grow, the story of Xuanzang’s journey to the west would become the stuff of legends.
Posted in Blog2 and tagged china, Chinese, culture, Journey to the West, literature, Monkey King, talk
2013’s Chinese New Year movie, Journey to the West: Conquering the Demons is a kungfu fantasy film directed by Chi-kin Kwok and Stephen Chow. It’s based on one of the four cornerstones of Chinese classical literature, Xi You Ji or Journey to the West. Set in the Tang Dynasty, the novel tells the story of the monk Tripitaka and his perilous journey to India in search for Buddhist sutras, accompanied by his disciples and bodyguards, three reformed demons – a mischievous but super powerful monkey spirit, a fallen god turned pig demon and a fish demon.
Posted in Commentary and tagged china, Chinese, classic, demons, film, Journey to the West, kungfu, literature, Monkey King, movie, novel, Stephen Chow, wuxi a