The Legend of White Snake: From Cautionary Tale to Tragedy, and Beyond
Recently, White Snake 2: The Tribulation of Green Snake came out on Netflix. This release brings us a unique experience of the Legend of White Snake in a contemporary adaptation, in the most accessible of media and platforms. As the tale of these (literally) millennium-old snake spirits become part of the global cultural consciousness, here’s a quick look at how they came into being.
Posted in Culture and tagged animation, china, Chinese, culture, film, folktale, legend, literature, mythology, Netflix, White Snake
Space Myths Part II: China’s Scientific Future and Mythical Past
China is currently well into its age of space exploration. With the launch and landing of its Mars exploration programme Tienwen1 earlier in the year, and the docking of its first manned spacecraft, the Shenzhou12, this new frontier is at not only the forefront of China’s consciousness, but the world’s. A glance at the names of China’s space projects, and you’ll see that rather than paying tribute to the proletariat struggle, as programs did in the 1960s and 1970s, the country is now invoking its ancient scholars and scientists who mapped out the stars, and its mystical beings whom they thought lived in the skies. In the second part of this two-parter, I look at China’s Mars program, latest satellite launch facilities and Dark Matter exploration.
Posted in Culture and tagged china, Chinese, culture, Dark Matter, launch, Mars, mythology, myths, satellite, space, space age
Space Myths Part I: How China is Taking its Mythos to the Stars
China is currently well into its age of space exploration. With the launch and landing of its Mars exploration programme Tienwen1 earlier in the year, and the docking of its first manned spacecraft, the Shenzhou12, this new frontier is at not only the forefront of China’s consciousness, but the world’s. A glance at the names of China’s space projects, and you’ll see that rather than paying tribute to the proletariat struggle, as programs did in the 1960s and 1970s, the country is now invoking its ancient scholars and scientists who mapped out the stars, and its mystical beings whom they thought lived in the skies. In part one of this series, I look at China’s manned space programme, space station and lunar exploration programme.
Posted in Culture and tagged china, Chinese, culture, lunar, mythology, mythos, myths, Shenzhou, space, space station, spacecraft
Introductory Talk to Big Fish & Begonia: A Taster
This screening is part of the April Anime season. Anime is faux-French term predominantly used to refer to Japanese animation. Chinese animation is called Dong Hua.
That animation you’ve just seen, “Where is Mama” is a product of the first golden age of Chinese animation. The director, Te Wei,broke a lot of the established rules of the time, and instead of just imitating western animators like Disney, he attempted to create a very eastern style.
Posted in Blog2 and tagged after life, animation, Big Fish and Begonia, china, Chinese, culture, Dong Hua, film, indie, mythology, tradition, Zhuang zi
Aquaman in China
So “Aquaman”, directed by James Wan, Australian director of Malaysian Chinese descent, with Chinese actor Ludi Lin (Power Rangers) as Murk, has been doing well in box offices in China. Some might be puzzled as to why the Chinese would be drawn to a story that seems so immersed in the world of Greek mythology. Although very much unique in their own right, the world’s mythologies do share certain commonalities, and there are many elements in this film that would make it popular with a Chinese audience.
Posted in Commentary and tagged Aquaman, Atalanta, china, Chinese, culture, dragon king, film, Monkey King, mythology, ocean
Digital Deities and Galactic Guardians – Why China is Invoking Ancient Gods in Cutting Edge Tech
In the recent past, China has been known to the West for its Great Wall and its Terracotta Warriors, a great ancient civilization that gifted the world with revolutionary inventions such as the compass, fireworks, and beautiful silks, that was subsequently torn apart in the early 20th century and closed off. Even when it re-emerged and became a global manufacturing powerhouse, by and large in the Western consciousness the country still remained a land enshrouded in legends and mystery, about which not much is known beyond the Cultural Revolution.
Now, in the 21st century, China is once more truly becoming the author of its own fate. A new technological golden age seems to be dawning, from innovations in AI and 3D printing, to developments in biomedicine and space exploration — both via private investment and state funding. With this new-found confidence, China has also begun to re-connect with its past and create a Chinese version of modernity that it didn’t have the chance to before. And it is doing so in in fascinating ways — sometimes this means reaching back thousands of years, to draw that connection.
In this article, I look at 13 (a lucky number to the Chinese) pieces of new technology that demonstrate in their conception and nomenclature how China is mapping out its gods and traditions in the cyberverse and the stars.
Posted in Culture and tagged AI, china, Chinese, culture, deities, exploration, Fintech, gods, mythology, science, space, technology
Summoning of the Soul of Qu Yuan
The coming weekend (20th of June) will bring 2015’s Duan Wu Festival, the ultimate Chinese celebration of summer that is more commonly known around the world as Dragon Boat Festival (http://snowpavilion.co.uk/duan-wu-dragon-boat-festival/). However, the origins of the festival, and the poet whose life it celebrates, are rarely focused on.
Posted in Culture and tagged aesthetic, china, Chinese, Chu, cosmology, culture, Duan Wu, festival, mythology, poetry, Qu Yuan, shamanism, The Great Summons, verse, Warring States
How SFF Is Changing
I have always maintained that diverse writers must be included in the main discourse of subject matters, rather than seconded into special interest groups, thus making them feel like oddities, rather than fully part of the community. It was with this in mind that I was so pleased to be invited to FanfiAddict’s author livestream on How SFF is Changing, which put me on a panel with a wonderful selection of authors from very different backgrounds, all writing about and working in different styles, content and traditions. There were a few points in the discussion I did not get to address at the time, or may not have been concise on, and thought I would take the opportunity to expand on them here.
Posted in Commentary, Culture and tagged Asian, china, commentary, diversity, fantasy, fiction, literature, livestream, mythology, representation, SFF