Ni Kuang: An Orbituary

On July the 3rd 2022, renowned writer Ni Kuang, passed away, aged 87. He was one of the most popular modern classic Sinophone writers.


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Ye Yonglie: An Obituary

On the 15thof May 2020, one of the forefathers of Chinese science fiction, Ye Yonglie, passed away.

Born in 1940 in Wenzhou (Zhejiang), Ye was a literary prodigy who published his first work at the age of 11, and his first book at the age of 19. After graduating in chemistry from Peking University, he continued his love of writing, and went on to create a wide range of short stories, journals and longer fictional works.


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Jin Yong: An Orbituary

Jin Yong, one of the greatest Chinese writers of the twentieth century, passed away earlier this week on Tuesday the 30th of October. Aged 94, he died of organ failure after battling  long-term illness, at the Hong Kong Sanatorium and Hospital.


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On the Representation of Chinese Arts in Western Media

Recently numerous friends on social media have pointed out to me the shockingly underinformed or dubious ways in which the Chinese arts have been represented in the Western media. I have been impressed by your astuteness and I thank you for your kindness.


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Condors and Falcons

When I heard that Jin Yong’s Wuxia classic “The Condor Heroes” was being published in English, (translated by Anna Holmwood, and first volume released earlier this year), I was delighted. As a Chinese cultural commentator, I was happy to read the articles that this publication had generated, even by the old white academics who seem to have recently discovered the existence of Wuxia. One article however, did leave me mulling the content. In its use of journalistic shorthand, Vanessa Thorpe’s article in The Guardian a few weeks ago, described Jin Yong as being “China’s Tolkien”. Whilst I understand the reasoning for this, I feel that she’s missed the mark. In terms of story, character, genre, not to mention cultural significance, the world of “Condor Heroes” can be more appropriately described as China’s Star Wars.


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Raiding China’s Tomb Adventures

Our penultimate post is about popular Chinese fiction of the ghostly, grave-robbing kind. We are thrilled to post this piece by writer and translator Xueting Christine Ni, who is currently working with the fantasy and science fiction author Tang Fei, and writing a book on Chinese deities. Having studied English literature in London, and Chinese literature in Beijing, she is now based mainly in the UK.

As a writer on Chinese culture, specialising in pop culture, I’m often asked about genre fiction. “Do the Chinese do science fiction?” or “Does China have Horror?” Over the last two decades or so, Chinese pop culture has grown exponentially. Economic growth and relative political stability have allowed writers and artists the space to let their imagination run free and to create in readers a taste for such entertainment and variety.


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Journey to the West: Conquering the Demons

2013’s Chinese New Year movie, Journey to the West: Conquering the Demons is a kungfu fantasy film directed by Chi-kin Kwok and Stephen Chow. It’s based on one of the four cornerstones of Chinese classical literature, Xi You Ji or Journey to the West. Set in the Tang Dynasty, the novel tells the story of the monk Tripitaka and his perilous journey to India in search for Buddhist sutras, accompanied by his disciples and bodyguards, three reformed demons – a mischievous but super powerful monkey spirit, a fallen god turned pig demon and a fish demon.


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