Cdrama now enjoys a global following, and one of the most popular shows at the moment is Tencent’s A Dream of Splendour (directed by Liu Yang and staring Liu Yifei, Chen Xiao, Liu Yan and Lin Yun), a historical fiction series set in dynastic China. Unlike a lot of other cdrama which are based on contemporary novels, this series has been inspired by a 13th century opera of Guan Hanqing, one Yuan Dynasty’s best-loved playwright, 赵盼儿风月救风尘 (zhào pàn’ér fēngyuè jiù fēngchén), Zhao Pan’Er Courageously Saves A Lady of the Night. Instead of outlaws, notables and royalty, the frequent subjects of a lot of other historical fiction, it tells the tale of three ordinary women surviving the hardships of life through their resourcefulness and friendship, eventually turning a small teahouse into a very successful restaurant.
Posted in Culture and tagged A Dream of Splendour, Cdrama, china, Chinese, culture, fiction, literature, opera, plays, playwright, Yuan Dynasty
In the first part of my Mulan article, I discussed what the Disney animation meant for the Chinese in China, as well as for global audiences; looked at the initial trailer of the new live action film and talked about what I hope to see in it. To understand Mulan’s significance as a cultural icon fully, we need to go to her origins and see how she evolved. I will focusing on two relatively recent film adaptations that have made the greatest impact around the world (China included), so we could see where Mulan is culturally, particularly in terms of her representation in cinema, just before a new major work comes out.
Posted in Culture and tagged ballet, books, china, Chinese, cinema, cross-dressing, culture, feminism, film, gender, gender politics, Hua Mulan, literature, Mulan, musical, opera, theatre, TV