Like its turbulent history, Chinese cinema has undergone many upheavals throughout the twentieth century, from an art form that was virtually non-existent at the beginning of the century, to a tradition that developed its own aesthetic, studio systems and language. It was employed by the state to further war efforts and revolution, after which it became a medium of response and rebellion. Privatization of the industry towards the end of the century eventually led to a new interdependence between the state and filmmakers that propelled Chinese cinema into the twenty-first century, with an explosion of genres, production and distribution methods.
Posted in Blog and tagged china, Chinese, contemporary cinema, culture, film, lecture, QMUL by Xueting Ni
We are comingto the end of the Chinese Year of the Monkey, a year that was celebrated in the cinema with the release of “Monkey King 2″, the follow up to the 2014 Donnie Yen film. The Monkey, Sun Wukong, with his origins in the classic text “Journey to the West”, has now become an international symbol of Chinese culture, as important to China’s overseas image as Confucius, Mao Ze Dong, and Bruce Lee.
Posted in Blog and tagged china, Chinese culture, film, Journey to the West, london, Monkey, movie night, QMUL by Xueting Ni