Ghost Girl, Gwei Mui 鬼妹

There are many plays about being Chinese in Britain. Yet there was something about “Ghost Girl, Gwei Mui 鬼妹” that struck a chord with me, once a Cantonese girl transplanted from Guangzhou to London half way through her upbringing. Perhaps it was the title, the idea of being a living ghost – the invisible minority, or the daring reverse use of Gwei Mui, the Cantonese insult for foreigners, that prompted me to accept the offer to review this play.


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Looking Back on 2013: An October of Theatre Part I

This October has been an extremely good month for Sinophiles in London, with so many China-related events in museums, theatres, conferences as well as TV and the radio. I have actually overexerted myself a little over this month, attending so many events, filling notebooks with article plans and talk outlines, that I gave myself no time to actually write and upload anything, so consider this article a guide to the highlights, and pitfalls, of Chinese culture through the Western lense.


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On Being Chinese

I like to take quite positive things about China and Chinese culture as the starting points of my writing, or good things that have happened to me. This brief commentary though, is the result of some recent, very unpleasant, racially based encounters I’ve had around London. I have been told to “go back to Shanghai” (close kid, but no banana, I’m Cantonese), and had my platted hair grabbed because I “looked really Chinese”. Well, of course I Do. I am. And damned proud of it too.


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