The Untamed and the Philosophy of Chinese Music Part 2: Music as A Form of Healing and Kungfu

In part one of my article on Chinese philosophies of music as explored in The Untamed, I looked at the role of music in cultivation and zhiyin culture. In the second part, I’ll be discussing concepts surrounding music as a way of healing, and in extending this further, as a form of kungfu.


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The Philosophy of Chinese Music Part 1: Zhi Yin Culture in The Untamed

If you like your Asian historical dramas, Eastern magic fantasy, or Kungfu shows, you’ll have seen, or been watching, or at least heard of, The Untamed. With gorgeous costumes, props, sets; fantastic script, filmography and storyline, a great cast, and queer representation to boot, no wonder this mainland Chinese series, an unexpectedly domestic hit, has also achieved unprecedented global popularity. Originally a Xianxia (genre featuring humans interacting with supernaturals) web novel named Modao Zushi by Mo Xiang Tong Xiu, the series is steeped in Chinese culture. One of the central themes that really stands out is the multiple roles of music in the story. (Heads up, this article contains spoilers). 


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