Li Lihua: A Tribute

This year, the 35th Hong Kong Film Awards will honour Li Lihua with the Lifetime Achievement Award. As one of the “flowers of Shaw”, I first came across her as I researched “Shaw Sisters: the Fighting Women of Hong Kong Cinema”. I’m pleased that an actor who brought so much to Chinese cinema is being celebrated in this way. For those who may not be familiar with her, I present a short introduction on Li’s contributions to Chinese cinema.


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Peking into Chinese Opera

This weekend sees a brief season of Chinese opera at Sadler’s Wells. I thought I’d write a little about this traditional musical genre.


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Snow Girl and the Dark Crystal: the Adolescence of Contemporary Chinese Fantasy Cinema

The Chinese Lunar calendar doesn’t always match up with ours, and our festivals hardly ever overlap. Whilst the West gets all its gruesome ghosts and ghouls taking centre stage at the end of October, the biggest festival of the dead in China takes place half way through the seventh lunar month. This friday saw the end of Zhong Yuan (or Ghost Month https://snowpavilion.co.uk/zhong-yuan-ghost-month/), and to celebrate, here’s a review of 2015’s big fantasy monster movie, released internationally (but not in the UK yet) in August.


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Queer China at CVF 2015

The Chinese Visual Festival is a mixed bag, documentaries, art films, first time projects and a few gems. It’s difficult for me to cover the whole festival, but I try and cover a couple of screenings each year. This year’s LGBT programme was most inviting, and having missed last year’s, it was one I was determined to attend.


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Hero of Shaolin (1984) : For the Hardcore

It’s been a big autumn for Shaolin in Britain, what with the European Shaolin Festival in October, followed by the re-release of 1984 kungfu classic Hero of Shaolin by Terracotta Distributions on the 10th of November.


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On Chinese Horror: Adaptations of Liaozhai

Over the last month, I’ve delved a little into Chinese ideas of ghosts, and horror. The ultimate source however, is the work of Shandong scholar, Pu Song Ling, who gathered stories from common folk and rewrote them into 491 short stories collected as 聊斋志异 “Liao Zhai Zhi Yi”, or “Strange Tales from the Hearth” (or more commonly in the West, “Strange Tales from a Chinese Studio”).


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On Chinese Horror: Mainland Classics

Happy Halloween. To celebrate, I’m going to tell you about the history of horror films in mainland China. It’s true that there haven’t been as many horror classics produced in the People’s Republic, as in Hong Kong, due to closer control of more “sensationalist” content, but we should remember that it was the film talent from Shanghai, who migrated to Hong Kong in the early twentieth century that helped Hong Kong’s legendary cinema industry flourish.


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On Chinese Horror: From Xiangxi Legends to HK Zombies

Continuing on with my series on Chinese Horror, I want to talk about Jiangshi (僵尸) films that have made them the overriding image of  the Chinese Supernatural.

The beginning of the 1980s saw the release of a wave of Hong Kong zombie movies featuring those blue green doleful jiangshi that hop around in Qing Dynasty official uniforms. These pioneers and the plethora of imitators, were mostly inspired by the legend of the Xiangxi Corpse Handlers from Hunan.


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On Chinese Horror: the Jiangshi

In honour of World Zombie Day 2014, I wrote about the China’s traditional monster of the undead, which I have revised and updated for Ghost Month 2021. You might know these are the “hopping vampires” (a misnomer that I shall address in this article). The proper name for them is Jiangshi, and in fact, they had lived in the Chinese fictional imagination for 900 years before the movies.


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On Chinese Horror: Early Zhi Guai (Tales of the Strange)

2014’s Zhongyuan or Ghost Month, took place in August, and Xiayuan was not until December. Nevertheless, with the crisp scent and keenness of the autumn air, I felt the delicious anticipation for All Hallow’s Eve. So I started a series on the Chinese horror genre. This was the first in the series, now with updates and revisions. It will focus on attitude towards the supernatural and the history of this kind of storytelling.


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