Beyond Liu Cixin: 5 New Translated Chinese SFF Books

Amidst the fractious international battles for cyberspace, there couldn’t be a better time to remind ourselves that SFF and the imagination have no boundaries. The West is now pretty au fait with Liu Cixin, but it’s often the case with world literature that the few writers who first become known to the West are monumentalised as Symbols representing the entire ecosystem of their othered cultures. Whilst they are undoubtedly important touchstones, I’ve always tried to take Anglophone readers beyond that introduction into the vast depths of China’s SFF universe.


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The Girl Who Stole Life by Zhou Wen

It was immense pleasure working with Sheila Williams and to have my translation featured in Asimov’s Science Fiction, which takes its name from one of my favourite classic Anglophone sci-fi writers, and whose publications I have long admired. This is a story about languages, linguistic, neurolinguistics and translation, but also, about a young woman who wants to break the barriers that life put in front of her.


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Her Story: Second Skin

A novelette by Dan Shi, a new voice in female Chinese science fiction and one that is boldly outspoken about feminism and gender debates. I was asked to translate this piece by the editors, and after reading it, I felt it was important to do so, especially when the story was so well written. A bold exploration of technology, the female body and autonomy.  You can read it here. 


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Wandering Earth 2 and the New Global Order

It was a pleasure being on a panel hosted by L.S.E. with fellow authors and scholars to discuss recent Chinese sci-fi blockbuster, The Wandering Earth II (Frant Gwo) Cinema plays a major role in furthering cultural understanding, and there is definitely more to both Chinese science fiction and this movie than some have considered them, as mere “tools for soft power”. We each spoke a little on the work before entering the discussion, here is the short talk I presented. Like Wandering Earth 1, this second film also depicts a geopolitical landscape that places China at the top of global political power. This is shown through the made-in-China technology that operates the Wandering Earth Project, the diplomatic influence the country exerts over international disagreements, and the decision making that affects the fate of the entire planet. I saw this film for the first time at the cinema in London, when it came out last year. Whilst I had also watched and written about the first film around its release, this was the one that made me to want to read Liu Cixin’s short story and see how its original creator envisioned an epic tale that involves a fundamental alteration to humanity’s existence. The world presented in the original short story is one of international co-operation. It quietly happens because it is taken as a given. In this global order, China holds as much of a stake as others in the running of this earth-moving operation, which I find far more interesting, Continue Reading →


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Hesuipian: the Chinese New Year Movie

As Chinese New Year draws close, it’s worth spotlighting a relatively recent tradition, the ‘Hesuipian’, literally, “film to celebrate the birth of a new year”, the New Year Movie, which has now become a tradition of four decades.


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White Crane: the Legacy of Fang Chi

I’m often quite traditional in my information gathering, usually finding out about books through printed reviews, or more often just wandering round book shops, but I discovered White Crane through their twitter account. I’m quite new to comics, having had an upbringing that didn’t really have space for comics beyond the type of kids books brought from corner news agents (Lian Huan Hua). However, they are an important part of popular culture, and when I saw this title, a Kung Fu inspired comic in English, the amalgamation of traditional and pop culture, Eastern subject for Western readers, it really struck a chord with me.


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