The Legend of Mando Part 1: a Tale of Quests in New Republic Jianghu
Whenever I wax lyrical about the wonders of Chinese wuxia, of clans, intrigue and swordsmen, I’m often told that people in the West will have a hard time understanding it, and yet, when I sit with my geeky friends, they are more than happy to info dump about old Republics, the Jedi Order, bounty hunters and the shadow organisations of Star Wars. Western nerds, you have been enjoying Wuxia stories, for nearly 50 years.
The main reason I hadn’t originally made the connection, was that I was relatively late to the franchise. I didn’t grow up in a culture where Star Wars was this huge thing, and it wasn’t really till the sequel trilogy came out that I sat down and actually watched the thing, and with 2016’s Rogue One, starring Donnie Yenn and Jiang Wen, I began to see the parallels with the martial arts fantasies I grew up with.
I had originally planned to write this as a two-part piece, the first for May the 4th, and the second for the release of The Mandalorian and Grogu. But the more I delved into the expanded universe, animations and series, the more I found I had to say. In fact, I’d like to begin away from the swords and sorcery of the Jedi’s story, and look at just how Wuxia-coded The Mandalorian’s story is. For a start, it’s three (and a half) season saga, and the imminent film release give it that feeling of modern Wuxia series, which often run to 30+ episodes, giving plenty of room for character growth amongst the battles and betrayals.
Posted in Articles and tagged jianghu, SFF, Star Wars, The Mandalorian, Wuxia
A New Era of Wuxia: the Female Writers
The global popularity of Chinese historical fantasy has brought forward a new era of female writers. How did this revolution start?
Posted in Articles and tagged books, chinese drama, fantasy, female writers, literature, martial arts, novels, SFF, TV, Wuxia, Xianxia
Introduction to Sinophagia
It’s always great to hear how interesting and enlightening people have found the introductions to my anthologies, so I was delighted to have a version of it in Reactor. Here’s a taster:
Posted in Articles and tagged author, editor, horror fiction, introduction, literature, nonfiction, SFF
Mesmerising Mythical Mayhem: Jentry Chau V.s The Underworld Part 1
There have been a slew of fantastic YA animation projects recently that have captured fan’s hearts, such as She-Ra, Kipo and the Age of Wonderbeasts and The Owl House, all of which I have loved, but none of them grabbed me by the face, and screamed at me “this has been made for you”, in the way that Jentry Chau vs the Underworld did. My excitement for the project was lit the moment I saw the announcement images and teasers, and I began to talk about it on social media, but duties and deadlines actually stopped me from sitting down and watching the show until Spring Festival. I was blown away, and consumed the whole thing in a couple of days. Like any rich banquet devoured so greedily, I knew I would have to sit and digest it before being able to convey how much I enjoyed it.
Posted in Articles and tagged Chinese, demons, Emmy's, fantasy, ghosts, horror, Jentry Chau, mythology, Netflix, occult, SFF, spirits, TV, underworld, YA
A Thousand Eyes and One
I had a lot of fun chatting to the lovely Tanya and Nikki for their speculative fiction book club, Wine On an Empty Stomach about Sinophagia. We talked about resonating aspects of The Waking Dream, the the terrifying Death of Nala, and the unique female voice in Immortal Beauty, also discussing translation and the great genre fiction out there, ending with their fun signature finish.
Posted in Events and tagged books, genre, horror, literature, POC, podcast, SFF, women
The Girl Who Stole Life by Zhou Wen
It was immense pleasure working with Sheila Williams and to have my translation featured in Asimov’s Science Fiction, which takes its name from one of my favourite classic Anglophone sci-fi writers, and whose publications I have long admired. This is a story about languages, linguistic, neurolinguistics and translation, but also, about a young woman who wants to break the barriers that life put in front of her.
Posted in Curated & Translated and tagged Chinese, class, genre, languages, linguistics, literature, neurolinguistics, noveltte, Scifi, SFF, social concerns, society
Her Story: Second Skin
A novelette by Dan Shi, a new voice in female Chinese science fiction and one that is boldly outspoken about feminism and gender debates. I was asked to translate this piece by the editors, and after reading it, I felt it was important to do so, especially when the story was so well written. A bold exploration of technology, the female body and autonomy. You can read it here.
Posted in Curated & Translated and tagged autonomy, Chinese, female body, feminism, genre, literature, novelette, science fiction, Scifi, SFF
Chinese Horror Literature in Italy
I couldn’t find a better home for my Chinese horror collection than Italy, and I had the pleasure of being at the MUFANT in Turin, to talk about my experiences as an transcultural author, Chinese science fiction in Europe, Western Gothic and Chinese Gothic, and the unique features of the latter. It was a few weeks after Sinofagia, the Italian edition of my book was published in Italy, and the immense enthusiasm in the audience made everything that it took for the trip to happen worth it. I was also delighted to meet my publishers add editore, and sign some copies of my book in their bookshop.
Posted in Books, Events and tagged add editore, author, books, genre, gothic, horror, Italy, literature, MUFANT, museum, SFF, Sinofagia, translation, Turin
Story Feast 2025: ESEA Futures
On the day of the Far Right rallies in central London on the 13th of September 2025, it felt momentous to be there to stand with my fellow East and Southeast Asian authors, and our diverse audiences at SOAS. It was a day packed with fantastic panels. On the ESEA Futures panel, we discussed how we first got into genre fiction, Western definitions of sci-fi imposed on ESEA literature and how legend and lore sit at an intersection between speculative genres. It was the first time I had spoken about Wuxia storytelling to an Anglophone audience in person, specifically discussing the differences and similarities in its speculative elements with similar fiction in the West.
Posted in Events and tagged Asian, authors, books, diversity, ESEA, festival, fiction, inclusivity, literature, london, POC, representation, SFF, speculative, Wuxia