Mahjong Illustrated: The Sound of Sparrows
The clickety-clack of mahjong tiles being mixed by a group of friends is one of the most soothing and distinctive sounds found across East Asia and, increasingly, North America. First developed in southern China in the early 19th century, mahjong – meaning ‘sparrow’ – is a fun and popular game that tasks you with solving a tile-matching puzzle before you run out of moves. Played by four people using 144 tiles, mahjong is not just a game of luck; it requires strategy, pattern recognition, and an understanding of the other players’ tactics.
Posted in Books and tagged books, china, Chinese, culture, games, Mahjong, majiang, strategy, tiles
In to Mortal World: a New Evolution of the Cowherd and the Weaver Myth
Today is Qixi Festival, which falls on the 7th of the seventh lunar month. Whereas Valentine’s Day is also now celebrated in China, as is Lantern Festival for first romances, Qixi is the occasion to celebrate enduring love. And as arts and commerce increasingly turn their focus on it, more couples in China are choosing tie to knot on this day. The origins of this festival, is of course, associated with the story of Niulang and Zhinüng, the mortal Cowherd and the Weaver goddess, China’s story of star-crossed lovers and one of its four greatest legends, which you can read out in my book Chinese Myths. If you’re interested in the supreme goddess who played a key role in the tale, read my guide to Chinese deities). For the traditions and customs, read my article. This year, I wanted to write about a brilliant continuation of the myth by the donghua film Into the Mortal World (落凡尘, 2024), which I managed to catch on the plane on a recent trip.
Posted in Articles, Events and tagged animation, Cantonese, china, Chinese, Cowherd and Weaver, donghua, film, Guangdong, Guangzhou, myth
Queer Literature in the Sinosphere: A Review
Queer Literature in the Sinosphere is the most up-to-date English-language study of lesbian, gay, bisexual, transgender and queer (LGBTQ+) themed literature and culture in the Chinese-speaking world. From classical homoerotic texts to contemporary boys’ love fan fiction, this book showcases the richness and diversity of queer Chinese literature across the full spectrum of genres, styles, topics and cultural politics. The book features authors and literary works from mainland China, Hong Kong, Taiwan, Singapore and the global Chinese diaspora. Featuring chapters by leading scholars from around the world, this book rewrites literature, history and culture from a queer lens in China and globally. Queer developments and literature must be understood within the intersectional context of their cultures of origin, especially when of non-Western provenance. My experiences of writing Chinese cultures in the Anglosphere and studies in Sinology have kept me acutely aware of the U.S. and Euro-centrism of past East Asian studies. So I was delighted to receive a review copy of this essay collection from Professor Bao. The editors’ assertion in the Introduction of their aim to “open up transnational and transcultural dialogues vis-à-vis queer literature”, confirmed the promising potential suggested by the title of the collection, to recentre the focus on the interflow of ideas and sociocultural interactions between regions within the Sinosphere. Staying faithful to the broader significance of queer worlding, Hongwei Bao and Yahia Zhengtang Ma also set out the parameters of their curation across the wide range of genders, sexualities, interrelations and vantage points that “queer” Continue Reading →
Posted in Articles, Events and tagged china, essays, intersectional, literature, queer, Sinophone
The Mythos of Kunlun
Earlier this year, I was asked to participate in Erland Cooper’s Mythic Island series, part of The Essay on BBC3, for which I had the pleasure of discussing the myth and cultures of Kunlun with the host. We only had a short time, so I’ve written this article based on further insights from my research, to supplement the conversation.
Posted in Articles, Events and tagged china, Chinese, culture, Kunlun, mountains, myth, mythology
The Phenomenal Popularity of Ne Zha 2
Ne Zha 2 hit the cinema screens this Spring Festival to phenomenal domestic success. This has been attributed to many things, including some secret technophile organisation of allegedly nationalistic Chinese entrepreneurs spreading their hidden agenda. The actual reasons are probably a mix of high production quality, the right place, the right time and as often is the case, cultural appeal. Nothing less than an icon in China, the legendary figure of Ne Zha has always enjoyed much love throughout the history of his cultural evolution. In this article I guide you through this development and explore the factors behind the immense appeal of his latest reincarnation. Nezha entered the Chinese pantheons during the Tang Dynasty with the spread of Buddhism, introduced into China in the previous centuries. Chinese Buddhist tales portray him as a deity sent to the mortal world to protect it against the rising number of yao. His legend evolved from the Song Dynasty, a tale of rage fights, heavenly judgements and gruelling atonement. Temples venerating him were found as late as the 1940s (if you’d like to learn more, you can read my book). In the contemporary times, he has been reborn in the modern temples of home and pocket entertainment. Most people in China will remember this figure from the 1979 Shanghai Animation classic Nezha Conquers the Dragon King (recently re-released), created in the style of the art of Dunhuang, a fitting tribute to the murals that his image first graced. Here he is the undaunted Continue Reading →
Posted in Articles and tagged china, Chinese, culture, film, mythology, pop culture
Wandering Earth 2 and the New Global Order
It was a pleasure being on a panel hosted by L.S.E. with fellow authors and scholars to discuss recent Chinese sci-fi blockbuster, The Wandering Earth II (Frant Gwo) Cinema plays a major role in furthering cultural understanding, and there is definitely more to both Chinese science fiction and this movie than some have considered them, as mere “tools for soft power”. We each spoke a little on the work before entering the discussion, here is the short talk I presented. Like Wandering Earth 1, this second film also depicts a geopolitical landscape that places China at the top of global political power. This is shown through the made-in-China technology that operates the Wandering Earth Project, the diplomatic influence the country exerts over international disagreements, and the decision making that affects the fate of the entire planet. I saw this film for the first time at the cinema in London, when it came out last year. Whilst I had also watched and written about the first film around its release, this was the one that made me to want to read Liu Cixin’s short story and see how its original creator envisioned an epic tale that involves a fundamental alteration to humanity’s existence. The world presented in the original short story is one of international co-operation. It quietly happens because it is taken as a given. In this global order, China holds as much of a stake as others in the running of this earth-moving operation, which I find far more interesting, Continue Reading →
Posted in Events and tagged blockbuster, china, Chinese, cinema, culture, film, Liu Cixin, movie, panel, science fiction, Scifi, society, The Wandering Earth 2
Chinese Monsters IV: Mythological Creatures
Having explored in the first three articles of this mini-series, deadly demons, friendly fiends, gorgeous ghouls and saucy spooks in Chinese supernatural lore, I come to the mythical monsters.
Posted in Curated & Translated and tagged china, Chinese, creatures, culture, horror, monsters, mythical, myths, supernatural
Tea Cabinet – An Exploration of Herbs
A while ago, I was given this beautiful old cabinet originally used for holding Traditional Chinese Medicines, so that I can store all the varieties of my loose leaf tea collection. Each of these many rows of small draws have the names of a herb carved onto it. Before I put my leaves into it, I thought it would be interesting to find out a little about each of these herbs.
Posted in Articles and tagged cabinet, china, Chinese, culture, herbs, medicine, TCM, tea, traditional medicine
On Horror and Identity
I love speaking at conventions. This whole career as a sinologist started with talks to anime crowds about the films, foods, myth and music of China. In the midst of the buzz around my upcoming collection, Sinophagia, I was excited to be included on the panel of “Horror and Identity” as part of this year’s Flight of Foundry, especially with such a diverse collection of fellow guests to talk about the genre, and how our lived experiences and outlooks informed it.
Posted in Events and tagged china, Chinese, fiction, genre, horror, identity, literature, SFF, translation
How SFF Is Changing
I have always maintained that diverse writers must be included in the main discourse of subject matters, rather than seconded into special interest groups, thus making them feel like oddities, rather than fully part of the community. It was with this in mind that I was so pleased to be invited to FanfiAddict’s author livestream on How SFF is Changing, which put me on a panel with a wonderful selection of authors from very different backgrounds, all writing about and working in different styles, content and traditions. There were a few points in the discussion I did not get to address at the time, or may not have been concise on, and thought I would take the opportunity to expand on them here.
Posted in Events and tagged Asian, china, commentary, diversity, fantasy, fiction, literature, livestream, mythology, representation, SFF