Asian Pirate Musical!!

Six years ago, a group of Asian composers, thespians and theatre kids asked me for some guidance on a musical featuring Sek Yeung, the Qing Dynasty pirate leader, and Admiral Zheng He, the Ming dynasty maritime explorer. I was delighted, as I’d been thinking about ‘Madam Ching’ for a while. When the BBC’s Doctor Who pitted the folk hero against the Sea Devils (With cringe-inducing outcomes) I took the opportunity to bring my research and thoughts together, and included an interview with Nemo Martin, about the newly solidified Asian Pirate Musical. Unable to catch the first round of performances, I was nevertheless, impressed by the soundtrack. I’d kept in touch with the team over the years, so it was with great excitement that now, six years later, I finally got to see the now polished version of the project.


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The Untamed: Music as A Form of Healing and Kungfu

In part one of my article on Chinese philosophies of music as explored in The Untamed, I looked at the role of music in cultivation and zhiyin culture. In the second part, I’ll be discussing concepts surrounding music as a way of healing, and in extending this further, as a form of kungfu.


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The Untamed: Wenling Practices and Zhiyin Culture

If you like your Asian historical dramas, Eastern magic fantasy, or Kungfu shows, you’ll have seen, or been watching, or at least heard of, The Untamed. With gorgeous costumes, props, sets; fantastic script, filmography and storyline, a great cast, and queer representation to boot, no wonder this mainland Chinese series, an unexpectedly domestic hit, has also achieved unprecedented global popularity. Originally a Xianxia (genre featuring humans interacting with supernaturals) web novel named Modao Zushi by Mo Xiang Tong Xiu, the series is steeped in Chinese culture. One of the central themes that really stands out is the multiple roles of music in the story. (Heads up, this article contains spoilers). 


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Raising Inner Demons: Chinese Black Metal in Europe

I explore the Zuriaake’s live presence and the representation of Chinese indie music in the West.


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Peking into Chinese Opera

This weekend sees a brief season of Chinese opera at Sadler’s Wells. I thought I’d write a little about this traditional musical genre.


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China Underground – A Translated Sample

An interview with the band Vagabond Street, by John YingLing, for his upcoming documentary, China Underground.
I’ve translated about 3 hours of interviews for this project, which is now heavily into post production (but could still do with more funding). This will be one of the video programe available to accompany my talk “Peking Into Punk”.


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