Story Feast 2025: ESEA Futures
On the day of the Far Right rallies in central London on the 13th of September 2025, it felt momentous to be there to stand with my fellow East and Southeast Asian authors, and our diverse audiences at SOAS. It was a day packed with fantastic panels. On the ESEA Futures panel, we discussed how we first got into genre fiction, Western definitions of sci-fi imposed on ESEA literature and how legend and lore sit at an intersection between speculative genres. It was the first time I had spoken about Wuxia storytelling to an Anglophone audience in person, specifically discussing the differences and similarities in its speculative elements with similar fiction in the West.
Posted in Events and tagged Asian, authors, books, diversity, ESEA, festival, fiction, inclusivity, literature, london, POC, representation, SFF, speculative, Wuxia
Shang-chi: Racist Stereotype or Legendary Kungfu Superhero?
I did some work on Shang-chi for a project last year, which didn’t materialise due to the pandemic. The filming of the MCU movie was delayed, also due to COVID_19. Now that it’s finally in the can, I’m celebrating its shaqing by reworking the contents of that unfortunate project into an article that looks at the pitfalls and potential of Marvel’s cultural representation of a character whose origins were so problematic, and yet whose development through the decades of comics has been so interesting.
Posted in Articles and tagged china, Chinese, cinema, comics, cultural appropriation, culture, diversity, film, kungfu, Marvel, MCU, movie, racism, representation, Shang-chi
The Many Faces of a Chinese Woman in Publishing
Let me tell you a secret.
I lead a double life.
By day, I work at one of the UK’s largest publishing houses, producing illustrated novelty books, helping to develop them from concepts to finished products, negotiating with suppliers and collaborating with sales teams and creative professionals to ensure the books are to spec, within budget, manufactured correctly and delivered on time across the globe.
By night, I am China Woman, delivering talks, articles, books and translations to further the understanding of China, protect Chinese Culture from misrepresentation, fighting Sinophobia and stereotyping wherever I go.
Lately, I am finding that in order to rise up and respond to the challenges posed by the current politics of fear, my two roles are coming into contact and beginning to clash…
Posted in Articles and tagged author, BAME, Chinese, culture, diversity, POC, publishing, representation, translation, writing
Forgotten Planets: Exploring China’s Long-Running Sci-Fi Film Tradition
In the 18th and 19th centuries, when exploration was a hobby of the British upper classes, you’d regularly hear about the discovery of Brand New Civilizations — as though indigenous people’s generational histories did not pop into existence until someone with a pith helmet and a camera stumbled into the clearing. I had my own “Dr. Livingstone Presuming” moment this week, when I began to read headlines in such stalwarts of the British press as the Financial Times (as well as digital newcomers like The Verge) stating that the just-released film adaptation of The Wandering Earthmarked China’s first tentative foray into sci-fi cinema, before scuttling back and forth between comparisons with contemporary American blockbusters and classic American sci-fi quicker than you can say “White Gaze Genesis.”
Posted in Articles and tagged china, Chinese, cinema, culture, film, Kehuan, literature, representation, science fiction, Wandering Earth
On the Representation of Chinese Arts in Western Media
Recently numerous friends on social media have pointed out to me the shockingly underinformed or dubious ways in which the Chinese arts have been represented in the Western media. I have been impressed by your astuteness and I thank you for your kindness.
Posted in Articles and tagged animation, arts, china, Chinese culture, comics, commentary, film, literature, novel, representation, science fiction
How SFF Is Changing
I have always maintained that diverse writers must be included in the main discourse of subject matters, rather than seconded into special interest groups, thus making them feel like oddities, rather than fully part of the community. It was with this in mind that I was so pleased to be invited to FanfiAddict’s author livestream on How SFF is Changing, which put me on a panel with a wonderful selection of authors from very different backgrounds, all writing about and working in different styles, content and traditions. There were a few points in the discussion I did not get to address at the time, or may not have been concise on, and thought I would take the opportunity to expand on them here.
Posted in Events and tagged Asian, china, commentary, diversity, fantasy, fiction, literature, livestream, mythology, representation, SFF