Sneaky Supper: Snack or Busted, Your Call!

I may not talk about my new found love for boardgames and TTRPGs enough, as I actively work on promoting Sinosphere created games, and help western creators produce culturally appropriate games content. It was with this hat on that I found myself at UK Games Expo this year, touching base with creators and generally looking around.

I stopped off at Capital Gains games, drawn in by their Zombie Life Insurance game (which I will be talking about soon), and found a lovely Singaporean company producing small box games with fun graphics, a wide range of subjects, quick playtimes, many of them capturing that Sinophone experience.

So many games of this type are food based. It’s a universal experience, but also carries the specificities of home. Apps and boardgames commonly draw on cooking, hot pot, buffet, dim sums, or ‘guess the dish’ mechanics, and I’ve found myself having to triple check which hotpot deck building dice game I’m playing. I get it. When there is SO MUCH content tied to culinary tradition, it’s hard to be original (says your girl as she edits another “Roll For Noodles” video). Sneaky Supper, however, is a subgenre I hadn’t seen before.


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Haidilao: Fresh, Fun and Friendly Hot Pot Dining

This May I had the pleasure of visiting Haidilao’s Birmingham branch. Away from the new cluster of hotpot places in London, I was a little worried that the experience would be rather “phoned in”, but I was pleased to discover it was anything but. While I’ve grown up with Cantonese hot pot, and had plenty of other regional versions in restaurants as well as home cooked in Chinese households, I’ve always wanted to try Haidilao, one of the most well know chains of hotpot restaurants, both in China and now the UK. Being an adventurous eater, and knowing that not everyone will enter with the same open mindedness, I attended with a British friend in tow whose culinary needs are usually met by the stereotypical “Treats Of Beige” School of freezer foods and chips. A very different perspective to my own.


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Of White Tea and Wuhuang

This year in Britain, summer arrived with a fiery flourish, got chased away by the rain and is now hiding, hesitant to emerge again. A great way to enhance the vibe of this lovely season amidst intermittently grey skies, gusts of wind and rain, is to drink white tea.


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Taiping Hou Kui and its Legends

As there was so much interest and enthusiasm surrounding the tea panel I appeared on at this year’s EasterCon21, I’m publishing a series of mini reviews on the spring teas I’m drinking this year, provided by the lovely NothingButTea.


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Raising Inner Demons: Chinese Black Metal in Europe

I explore the Zuriaake’s live presence and the representation of Chinese indie music in the West.


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Ghost Girl, Gwei Mui 鬼妹

There are many plays about being Chinese in Britain. Yet there was something about “Ghost Girl, Gwei Mui 鬼妹” that struck a chord with me, once a Cantonese girl transplanted from Guangzhou to London half way through her upbringing. Perhaps it was the title, the idea of being a living ghost – the invisible minority, or the daring reverse use of Gwei Mui, the Cantonese insult for foreigners, that prompted me to accept the offer to review this play.


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Crazy Rich Asians: There’s A Lot to Chu Over

“Crazy Rich Asians”, has made a huge impact in the short time since its release, not only because it’s based on an international bestseller by an East-Asian author, Kevin Kwan, but because it features an almost entirely Asian cast, (with only five white guys even getting a speaking part). In a U.S.-originated movie, it’s a rare thing for East-Asians to take centre-stage.

With screenplay by Peter Chiarelli and Adele Lim, this is the story of quintessentially American Chinese Rachel Chu (Constance Wu), who embarks on a trip with her boyfriend Nick Young (Henry Golding) to visit his home, Singapore. It turns out to be the trip of a lifetime. Rachel discovers that her laid-back, low-profile boyfriend is a billionaire whose family built half of Singapore. Between head-on cultural clashes, and the brutal matrimonial realities within Asian family clans, Rachel is way out of her depth, and must sink or swim.


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Detective Dee: The Four Heavenly Kings

As one of the major directors in Chinese cinema, any new work of Tsui Hark’s is exciting news, let alone any work released outside China and Chinese-speaking regions. As relatively more Chinese films make their way to Western cinemas, some top-bill Wuxia titles are now sharing the summer slot with Hollywood Blockbusters. This summer sees the global release of “Detective Dee: The Four Heavenly Kings”, the third film in Judge Dee series (after “Mystery of the Phantom Flame” and “Rise of the Sea Dragon”), produced by renown and award-winning producer Nansun Shi (Infernal Affairs, Seven Swords, Chinese Ghost Story). Five years would have given this film considerable build-up, especially after the second one, which, despite the bold steps it took, was by far the weaker of the two.


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Iron Fist or Ham-Fist?

A dramatization based on Marvel’s Iron Fist took a long time coming. The comics themselves which began in the 1970s only came into being with the craze for kungfu films in the US at the time, and even with its blatant cultural appropriation and lumping together of all non-white cultures, it was a beacon as a Western comic with a semblance of diversity. The Fraction/Brubaker series in the 90s paid its dues to diversity, nodding to a long line of warriors from different backgrounds, who held the title of Iron Fist, though still representing in quite stereotypical terms the nation the culture of which it owed so much of its world building.

In the 21st century, with the popularity of superheroes TV series, and the success of the “Daredevil” and “Luke Cage”, many have been anticipating one on the warrior of K’un-Lun, and there has been calling from fans and celebrities alike for an Asian casting of its protagonist Danny Rand. The series had been delayed, due to creative debate on the on-screen depiction of the hero’s fiery powers. At last, it was released on Netflix on the 17th of March, and I watched through it all in one go to bring you a continuous commentary on social media. Owing to the positive response I’ve received, here’s a write up of the various themes and points of interest that have come to light.


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Star Wars and China

“To rebel is justified”. Mao Ze Dong

Almost every geek in the Western hemisphere, and many on the other side, have anticipated the release of the Star Wars spin off film “Rogue One”. I managed to see it last week, and was impressed with it. I loved how it filled the narrative between Episodes 3 and 4 of the saga, without making itself a necessity, how it tied in very snuggly with animated series “Star Wars Rebels”, which I have also been following, and how, despite its gritty tone, was ultimately uplifting. There is something eternally gratifying about seeing a small, unlikely band of outlaws with more guts than ammo railing against the dread powers that be. What I most loved though, was seeing actors from my home country, Donnie Yen and Jiang Wu, in a movie that is part of a new, sprawling global mythology.


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