A Thousand Eyes and One

I had a lot of fun chatting to the lovely Tanya and Nikki for their speculative fiction book club, Wine On an Empty Stomach about Sinophagia. We talked about resonating aspects of The Waking Dream, the the terrifying Death of Nala, and the unique female voice in Immortal Beauty, also discussing translation and the great genre fiction out there, ending with their fun signature finish.


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Brighton Book Festival 2025: Sinophagia

One of my highlights of 2025 was being invited to the Brighton Book Festival, whose motto is “making the marginalised mainstream”, to be part of their first ever event on horror literature, an apt occasion to discuss my anthology Sinophagia, the first curated collection of translated contemporary horror from China. Alongside two wonderful fellow authors, we read extracts from our books, and discussed topics such as female horror fiction, horror literature in relation to the exploration of facets of human nature, horror fiction and the writing of grief, followed by some great questions from a very interested audience, and signing. The venue was packed with an audience that did very much, go in there!


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Half the Galaxy: Female Writers of Chinese Science Fiction

Through a year of quarantines and lockdowns throughout the world, many women are finding that hard won progress in their emancipation has somewhat diminished. Their roles regressed to the main caregiver, or manager of the house, regardless of their other responsibilities. On this year’s International Women’s Day, it’s important to remember the capabilities and achievements women have pushed forward with, both in spite of gender stereotypes and male bias, and in light of freedoms won. I have recently researched China’s net novelists, and was amazed at the creative output of women who were writing whilst also holding down full time jobs, and labouring under the yoke of domestic responsibility. Science fiction is another realm still primarily considered to be the domain of men, where women’s contribution is often overlooked, especially in China.


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Five Fabulous Chinese Goddesses: Xi Wang Mu

Even though China’s pantheon is mammoth, there does tend to be more male deities than female, it’s an imbalance I’ve tried to redress in my book. For Chinese goddesses are fabulous indeed, they come in many types – deities of the elements, the trades, protectors, creators. Most of the Nü Shen, Chinese for female deity, are very powerful. They also have amazing stories, and are some of China’s oldest supernatural beings. In this mini-series I write about 5 of them. 


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On The Factory (Covent Garden) and Artistic Photography in China

Located in the heart of the West End, the Factory is a boutique photography studio that offers shoots for modelling, other professional purposes or just keepsakes for a fun day out. Earlier this year, I was bought a session as a treat by some friends, and of all the special instructions they passed on, only the one about not offering me too much to drink was passed through on the day.  The first shoot did not go well at all, what we were told would happen didn’t, the pictures were nothing like we were expecting, and I was very distraught. After my friends had words with the studio, and the situation was discussed, The Studio saw where they went wrong, and corrected it. They also gave me a second shoot, in order to show exactly how they could do it. This is a review based on that second shoot, and with the consideration that they’re continuing with the very high standard they showed us. The studio, situated on the top floor of the terraces on Great Newport Street, is not as big as one would expect, even announcing itself as boutique. It consists of a lounge area with make-up mirrrors against one wall, and one hair styling chair, two actual studios, one of which usually serves as a changing room for clients, and a small office/viewing room. The changing room, which, with its fleur-de-lis wall-paper and brocaded chaise-longue, felt rather like a boudoir (right down to the very low level Continue Reading →


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